Summary of The Pageant

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The Pageant

6161 Delmar Blvd.
St. Louis, MO 63112
314-726-6161

www.thepageant.com

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St. Louis’ most popular mid-sized venue, the Pageant has hosted performances from a wealth of bands and solo musicians of every style and origin – from Lucinda Williams to the Yeah Yeah Yeahs to Matisyahu to Deathcab for Cutie to the Strokes. For most shows, the largest portion of the spacious main level is standing room only, but there is cabaret-style seating on the ground floor as well as a reserved seating balcony for visitors 21 and over. The adjacent Halo Bar admits the 21 and up crowd as early as 5 p.m. on show nights, and ticketholders who go through the Halo Bar are allowed to enter the Pageant shortly before the general public. The Pageant transforms itself for each act, amply accommodating a variety of stage enhancements. Shows have included everything from walls of television screens to giant confetti-filled balloons descending from the ceiling. Leave your camera in the car—the Pageant has strict rules against recording equipment. Once the show starts, it gets dark, smoky, and very loud… but isn’t that the whole point?



Reviews
musician

The Pageant review

Reviewed by musician on July 17, 2005

musician's rating:

"I’ve been in a lot of mid-sized music venues, and The Pageant in St. Louis ranks somewhere in the middle. Aesthetically, it’s great. It has two levels, and other than some beams that get in the way at certain spots, most areas allow for good viewing. They have good acts coming through. However, a common complaint among locals (and I agree with them) is that the sound tends to bounce off the walls creating a tin effect. It’s also kind of expensive for a Midwest venue. If you want to see Weezer, the Foo Fighters or Death Cab for Cutie in St. Louis, you’ll have to see them here, most likely. Although, if you want to see a living legend, Chuck Berry plays down the street at Blueberry Hill fairly often."

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Tags

Features: Full Bar, Live Music

Dress: Anything Goes

Type: Live Music Venue

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